The Five State Photography Competition & Exhibition is a regional fine art photography competition open to any photographer living in Kansas, Nebraska, Missouri, Oklahoma and Colorado.
Keeping with the change in specifications from last year, interested photographers are to submit 8x10 photographs on paper (vertical or horizontal) – without frame or mat (8x10 photograph only).
Juror: Mike Sinclair
Categories: Nature, People & Open
Cash Awards: $1,500 ($500 each category)
Entry Deadline: November 9, 2021
Exhibition: December 4, 2021 - February 11, 2022
Complete competition details & fillable entry form below
For the 2020-2021 competition, 453 photographs were entered and 150 were selected for exhibition.
Below are 2020-2021 gallery images, album of all accepted works, exhibition list, and juror statement.
NATURE - $200 cash award
Linda Hamlin - Winfield, KS
I am honored and excited to serve for the second time as your juror for the 2020 Five-State Photography Exhibition. The Five-State has always been an excellent show and seems to get better every year. I was a working photographer in Hays when the Five-State first began 37 years ago and I am impressed by how it has grown, not only in numbers but in quality as well.
My area of photography has always been photojournalism, working at newspapers and now at the Associated Press for nearly 40 years. Although there is plenty of room for creativity in this field, photojournalist have always been very careful to present a truthful image and not to manipulate images. That said, it is always a treat to view the vast scope of images that fall under the umbrella of photography. While my expertise is photojournalism, I have no bias for that style of photography in my judging and was a bit surprised how few images I picked that would classify as such.
I’m pleased the contest survived the flurry of cancelations arising from the current pandemic. This forced a change in the way the contest was structured and I believe, in many ways, it was a positive change. As a juror, I found it refreshing to be able to view photos that were similar in size and presentation. There were no massive prints or impressive framing treatments to color my impression of an image. The new format forced me to judge a photo solely on its merits. It was also helpful to be able to winnow the categories down to the top dozen or so and look at them side-by-side to make the final placements. This is much more difficult to do in a galley setting where entries are scattered about a gallery.
Of course, I understand size and presentation are all elements of an artistic presentation, but it is refreshing to have those distractions removed and look only at the photo itself. The judging process itself involved several rounds of elimination. Initially, I took a quick look at all the photos in a category and divided them into two groups – those that are eliminated and those that likely might make the show. From there, I took a closer look and pulled out a dozen or so that rose to the top and were candidates for an award. Next, to make sure I didn’t overlook something, I went back through the photos eliminated in the first round of judging and actually pulled a few back into the mix, including one that ended up getting a cash award. After that, I looked at the dozen or so selects in each category side by side and selected the cash awards. The photos that remained after the cash awards were then combined, and from that group I awarded the Juror’s Merit recognition and finalized which pieces were included in the show.
My criteria for determining what a good photo is, is fairly straightforward involving technical, artistic and emotional elements. The foundation of a good photo includes technical elements like focus, exposure, etc. Next, artistic elements such as lighting and composition are incorporated to create a captivating scene. Finally, I look for that little extra something that propels a photo from average to great. This includes elements like a decisive moment, juxtaposition, subject interactions and other intangibles that come together to really captivate the viewer.
All in all, I was very impressed with the talent in the region and the work which was entered. I encourage everyone to explore their passion for photography and continue to share their work with others.
Charlie Riedel (above, during judging) has been a staff photographer with the Associated Press since 2000. Through his national and international assignments, he has received recognition and numerous awards for his editorial and creative photographs. Among those works are images from the Summer winter Olympics, Gulf Coast oil spill, hurricane Katrina, World Trade Center attacks, Kentucky Derby and the Super Bowl. His work has been named to several “Photos of the Year” lists, including that of Time Magizine.
* complete exhibition of selected photographs featured below
Colorado Fall Colors